|
Aufbau der Tonleitern
Dur
| I
| ionisch
| 1
| 2
| 3
| 4
| 5
| 6
| j7
|
| II
| dorisch
| 1
| 2
| m3
| 4
| 5
| 6
| b7
|
| III
| phrygisch
| 1
| b2
| m3
| 4
| 5
| m6
| b7
|
| IV
| lydisch
| 1
| 2
| 3
| #4
| 5
| 6
| j7
|
| V
| mixolydisch
| 1
| 2
| 3
| 4
| 5
| 6
| b7
|
| VI
| aeolisch
| 1
| 2
| m3
| 4
| 5
| m6
| b7
|
| VII
| locrisch
| 1
| b2
| m3
| 4
| b5
| m6
| b7
|
Moll
| I
| aeolisch
| 1
| 2
| m3
| 4
| 5
| m6
| b7
|
| II
| locrisch
| 1
| b2
| m3
| 4
| b5
| m6
| b7
|
| bIII
| ionisch
| 1
| 2
| 3
| 4
| 5
| 6
| j7
|
| IV
| dorisch
| 1
| 2
| m3
| 4
| 5
| 6
| b7
|
| V
| phrygisch
| 1
| b2
| m3
| 4
| 5
| m6
| b7
|
| bVI
| lydisch
| 1
| 2
| 3
| #4
| 5
| 6
| j7
|
|
bVII
| mixolydisch
| 1
| 2
| 3
| 4
| 5
| 6
| b7
|
Harmonisches Moll
| I
| aeolisch j7
| 1
| 2
| m3
| 4
| 5
| m6
| j7
|
| II
| locrisch j6
| 1
| b2
| m3
| 4
| b5
| 6
| b7
|
| bIII
| ionisch #5
| 1
| 2
| 3
| 4
| #5
| 6
| j7
|
| IV
| dorisch #4
| 1
| 2
| m3
| #4
| 5
| 6
| b7
|
| V
| phrygisch j3
| 1
| b2
| 3
| 4
| 5
| m6
| b7
|
| bVI
| lydisch #2
| 1
| #2
| 3
| #4
| 5
| 6
| j7
|
| VII
| mixolydisch #1
| #1
| 2
| 3
| 4
| 5
| 6
| b7
|
Melodisches Moll
| I
| ionisch b3
| 1
| 2
| m3
| 4
| 5
| 6
| j7
|
| II
| dorisch b2
| 1
| b2
| m3
| 4
| 5
| 6
| b7
|
| bIII
| lydisch #5
| 1
| 2
| 3
| #4
| #5
| 6
| j7
|
| IV
| lydisch b7
| 1
| 2
| 3
| #4
| 5
| 6
| b7
|
| V
| mixolydisch b6
| 1
| 2
| 3
| 4
| 5
| m6
| b7
|
| VI
| aeolisch b5
| 1
| 2
| m3
| 4
| b5
| m6
| b7
|
| VII
| super locrisch b4
| 1
| b2
| m3
| b4
| b5
| m6
| b7
|
(=
| alteriert
| 1
| b9
| #9
| 3
| b5
| #5
| b7)
|
Halbton/Ganzton
| I
| HT/GT
| 1
| b2
| m3, 3
| #4
| b5, #5
| 6
| j7
|
Ganzton/Halbton
| I
| GT/HT
| 1
| 2
| m3
| 4
| b5, #5
| 6
| j7
|
Ganzton
| I
| Ganzton
| 1
| 2
| 3
|
| b5, #5
|
| b7
|
Vermindert
übermässig
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