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Major Scale · Mode I-VII

(Interval in A Major)
 
VI
Aeolian		 F# Aeolian (Mode VI) / A Major Scale for Guitar (Interval)
Roman Numeral I to XV
VII
Locrian		 G# Locrian (Mode VII) / A Major Scale for Guitar (Interval)
Roman Numeral I to XV
I
Ionian		 A Ionian (Mode I) / A Major Scale for Guitar (Interval)
Roman Numeral I to XV
II
Dorian		 B Dorian (Mode II) / A Major Scale for Guitar (Interval)
Roman Numeral I to XV
III
Phrygian		 C# Phrygian (Mode III) / A Major Scale for Guitar (Interval)
Roman Numeral I to XV
IV
Lydian		 D Lydian (Mode IV) / A Major Scale for Guitar (Interval)
Roman Numeral I to XV
V
Mixo-
lydian		 E MixoLydian (Mode V) / A Major Scale for Guitar (Interval)
Roman Numeral I to XV
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Major Scale Mode I-VII (Fingering)
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Theory
Minor Scale Mode I-VII (Fingering)
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Intervals of the Major Scale in Seven Positions

The major scale is built from the intervals root (1), second (2), major third (3), fourth (4), fifth (5), sixth (6) and major seventh (j7). To reach these notes in all positions on the guitar neck, seven distinct fingering patterns are formed and given the names of church mode I-VII. To move a pattern to a key other than A major, use the transposing table.