The minor 7th arpeggio consists of the chord tones root (1), minor third (b3), fifth (5) and minor seventh (b7) which correspond to the notes A, C, E and G in the key of A minor. This intervallic structure is very similar to the A minor pentatonic scale (without the fourth), so it can be used over many different chords.
To demonstrate its flexibility, the same A minor 7th arpeggio is superimposed over a | Am | C | Em | G | chord sequence in the first part, while the second part switches to a | Am | C/G | Am/F# | F Em | chord progession.
The minor major 7th arpeggio exercise is included in the Guitar Lovers Studies PDF which features high graphic resolution for printing and integrated sound.
Exercise for the minor 7th arpeggio
The minor 7th arpeggio consists of the chord tones root (1), minor third (b3), fifth (5) and minor seventh (b7) which correspond to the notes A, C, E and G in the key of A minor. This intervallic structure is very similar to the A minor pentatonic scale (without the fourth), so it can be used over many different chords.
To demonstrate its flexibility, the same A minor 7th arpeggio is superimposed over a | Am | C | Em | G | chord sequence in the first part, while the second part switches to a | Am | C/G | Am/F# | F Em | chord progession.
The minor major 7th arpeggio exercise is included in the Guitar Lovers Studies PDF which features high graphic resolution for printing and integrated sound.